Wednesday, September 10, 2014

Jeezy - Seen It All: The Autobiography ALBUM REVIEW




Trap music. Trap beats. It's been the new wave in hip hop at least for the last half a decade or more. But there's one thing that's always troubled me. The one man that made trap beats popular when debuting in 2005 gets no credit for it to this day. That man is Jeezy. Mostly known for his drug rap, his tales of the come up and his signature ad-libs, it's the trap music sound that made him what he is today. In fact, it's the one reason why his debut album, Let's Get It: Thug Motivation 101, is considered a classic to some including me.  Since then Jeezy has been the leading voice in the south's trap rap division. Here he is with album number five. Seen It All: The Autobiography. Coming off his fourth album, 2012's TM 103: Hustlaz Ambition, I expected nothing really but him to continue doing what he does best. As he did on that album. This time around, nothing has changed as predicted. I thought this album was a pretty good listen. Like I said, Jeezy is not someone that changes or switches up what he does. Nor does he experiment with sounds or anything like that. It's the same thing with him. Trap beats, coke rap, tales of struggle and hood survival, achieving success, enjoying the limelight and so on. One thing that does stand out about this album though is the fact that you can definitely hear the growth and maturity in Jeezy. You can tell from his words and emotions that he's learned so much and has matured a ton. It's probably why he decided to drop the "young" in his name. Anyway, here's the song by song break down:

1. 1/4 Block
Well to no surprise, this album begins in typical Jeezy fashion. Coke rap. Like I said this has been his M.O. since day one. It's why he's called the snow man. Anyway this is cool I suppose. He's had better intro songs but this wasn't bad. Sounds awesome in your vehicle as does majority of this album.

2. What You Say
This one is pretty cool too. Again, nothing special or new. More of that street thuggery over a cool trap beat. Another one to rattle your trunk too.

3. Enough
One thing that always found cool about Jeezy is how much of a motivator he is. He always try to uplift those going through a struggle and teach them how to make it out of that. This song is about that. He tells you in the hook things you can achieve or become "if you work hard enough". Definitely a cool song and another cool motivational message. Thug motivational that is. 

4. Holy Ghost
On this track, it appears Jeezy is doing a lot of deep thinking. He talks about some of his biggest regrets and mistakes. Along with that, he's also addressing a former friend of his about the wrong he did and how it effected their friendship. At first listen it sounds like a subliminal diss but it seems as though Jeezy is deeply upset about the whole ordeal. Either way this is good track. I'm sure I'll come back and do some investigating on the story behind this song.

5. Me OK
If there's one rapper/producer pairing in the south that's a cut above the rest it's without a doubt Jeezy and Drumma Boy. These two have been making magic together since Thug Motivation 101 and it continues here. One of the best beats on the album and definitely the best trap beat on here. I even thought the hook was one of the best despite all the braggadocios attitude he throws all over it. Dope song.

6. Been Getting Money (featuring Akon)
After the success these two had on the hit record "Soul Survivor", it was only right Jeezy called upon Akon again to make another hit. Although not as good, this is still a pretty dope track. Again, like the last song, Jeezy's braggadocios comes to play as he boasts about his money and how he been getting it since day one. This was very well produced by Childish Major as well. Dope beat and a dope song.

7. Seen It All (featuring Jay-Z)
I gotta admit, for this to be the lead single, it's rather weak. Not weak in general but too weak to be a single. There are other songs on here that would have made much better singles that this. The song itself however isn't that bad. The beat is pretty cool (especially the flute playing). This almost sounds very similar to "The Devil Is A Lie". The Rick Ross song that also features Jay-Z. Anyway, it's a good song overall, just not good enough to be a single.

8. Win Is A Win
Only being a minute and a half long, this is pretty much an interlude. That's kinda disappointing seeing as how this sounds like it could have been a good song if it was a full song. Once again, he's reflecting back on some bad situations he was in the middle of regarding close friends of his. I wish I knew the story behind everything he's talking about on this album regarding that. But I guess this song is okay for what it is. 

9. Beautiful (featuring The Game and Rick Ross)
This is probably the one song on the album that totally missed it's potential. Now that doesn't mean it's a bad song, it's just missed what it was trying to go for. They all describe things in life they see as beautiful. From women, to cars, to houses, to clothes. You know...all that materialistic stuff. This actually could have been a dope concept song if Jeezy gave this more thought. But then again...Jeezy isn't that type of rapper. The song is okay overall. Just wasted potential in my opinion.

10. Beez Like (featuring Lil Boosie)
Here's another one of those "thug motivational" tracks. But this one is a little different. He goes about teaching the young thugs and gangsters how to stack their money up through the street hustle game. Based on what he knows from experience. Also, I'm not a fan of Boosie at all, but this is probably one of the best guest verses he has ever done. At least that I've ever heard. Cool song though.

11. No Tears (featuring Future)
Remember when I said there were songs more worthy of being singles? This is one of them. First of all, it's produced and produced well by Mike Will Made-It. Who's been doing his thing with producing these radio hits. Then Future, despite my dislike for him, does a pretty good job on the hook and doesn't over do it. Now you may say it wouldn't make a good single considering the content (talking about overcoming all the hardships, pain and struggle in his life and career) but the beat and Future's hook changes that logic. I'd give it a shot a radio play myself. We'll see what happens.

12. How I Did It (Perfection)
This album closes out with what sounds like Jeezy just giving us a quick breakdown of how he got here. Sharing a couple stories from his days in the streets, the beginning of his rap career and where he is now. He shares with you how he perfected it all. Everything he's done and everything he has succeeded in. Kind of a good way to close out and overall solid album. 

In closing, I thought this album was pretty good. Solid work. Jeezy hasn't missed yet with one of these albums and it doesn't look like he will anytime soon. I give this a final grade of a B. The hood, the streets, the trap. It needs Jeezy and Jeezy needs it. He's been the motivational speaker for them for nine years now and shows no sign of stepping down from that title. While he continues to rap about the drug game, his riches and success, he fully understands where he came from and knows it was not easy making it to where he is now. He also understands the struggle of those going through what he went through which is why he reaches out to them every time in his music. It's for this reason that makes me a fan of his. Hip hop needs more dudes like him. Motivators. Or in this case...thug motivators. End.



Final Grade: B








CREDITS

Executive Producers
Jay Jenkins
Kyambo Joshua
Shakir Stewart

Lead Artist
Jay Jenkins

Production
Don Cannon
Christopher Gholson
Michael Williams
Frank Dukes
Lyle LeDuff
Ernest Wilson
M. Randall
B. Forest II

Collaboration
Aliuane Thiam
Shawn Carter
Jayceon Taylor
William Roberts
Torrence Hatch
Nayvadius Wilburn
August Alsina

Label
CTE World/Def Jam Recordings





Mic's Mixtape Of The Week

Lil Bibby
Free Crack II
Available now on Datpiff


Mic's Web Chick Of The Week

Sneakerz
Los Angeles, CA


Twitter: @ladyyngredLMKR
Instagram: @yo_facee












Copyright 2014. Mic Navarro's Corner.

Wednesday, September 3, 2014

Ariana Grande - My Everything ALBUM REVIEW




Is she R&B? Is she Pop? Is she both? While these questions can be asked for dozens of singers, when it comes to the new crop of singers, I find myself often asking these questions about Ariana Grande. Regardless of what genre you categorize her, it's easy to see why she is one of the industry's most popular new comers in the last thee years. Like a few notable artists (especially among the young pop singers), she got her start on television through the show Victorious on Nickelodeon. That's how many people knew of her before hand. But with the good start that her music career has already taken, she'll soon be known as just a singer. This is her sophomore album My Everything. Last year she made her debut with the album Yours Truly. An album that unfortunately I was never able to review. I regret that because I heard it and it was a pretty good album for a debut. This time around it's the same thing. Another good project. You get a bit of everything from this album. Some hip hop, some R&B, some pop/dance, some funk, even a bit of jazz. The production is the biggest stand out by far. Probably the best production of any R&B album I've heard this year. What's really amazing is how her beautiful voice (which also is very strong for a petite 21 year old) is able to go so perfectly with all these sounds. Killing every high note she sings. True talent right there. Here now is my song by song breakdown:

1. Intro
Nothing special here. Just a few lovely vocals to start the album off with.

2. Problem (featuring Iggy Azalea)
I've actually liked this song since I first heard it on the radio. It's the beat that truly sells it. It's the perfect bend of a hip hop/dancy pop beat. Iggy Azalea's verse is one of the best I've ever heard from her as well. Just a overall catchy and addicting song.

3. One Last Time
This was an okay song. It has these African drum like sound and sped up tempo. Kinda sounds something like Drake and Rihanna's song "Take Care". I can't say much else on it but like I said it's okay. May be fun for some people to dance to as well. 

4. Why Try
This song perfectly shows why myself and many others compare her to Mariah Carey. This sounds so much like vintage Mariah. Here she sings about the struggles of a relationship (the arguing, the fighting etc) and how she still wants to stay because the love is that strong. This, as well as many other topics on this album I'm sure is very relatable for most women. Especially the ones that are madly in love.

5. Break Free (featuring Zedd)
This is the albums second single and it's another cross blend of pop and dance. It's songs like this that confuses me as to what genre to put her under. Regardless, it's a okay song. Not really my cup of tea but I can understand why a lot of people like this. 

6. Best Mistake (featuring Big Sean)
Well...this is certainly one collaboration that I'm sure no one is surprised to see. Considering the recent news of these two dating and all. Anyway, this is actually a pretty good song. Clearly they're talking to each other. Ariana calls him "the best mistake she's ever made" and how she pretty much can't let him go. Meanwhile Sean shares his love for her right back and where he sees them in the future and things. It's a rather well..."cute" song. Wouldn't be surprised if this becomes a single. This will most likely be the first of many songs they will do together. 

7. Be My Baby (featuring Cashmere Cat)
I swear there are so many single worthy songs on this album and this is another one. It's also another favorite beat of mine on here. Props to Benny Blanco and Cashmere Cat on the production. Nothing much else to say about it. She showing affection to a guy that she really likes. Not on some thirsty shit but more on some high school crush type of shit. It's a cool song. 

8. Break Your Heart Right Back (featuring Childish Gambino)
Pay back is a bitch. That's pretty much the underline moral of this song. Getting your heart broken but breaking theirs right back in the same way they did. I myself don't agree on handling the situation like that but hey...to each his own. Gambino gets on a drops some dope lines in typical Childish Gambino fashion ("I'm a G from the A", "flow so gross my nickname school lunch"). This was one of my favorites on the album definitely. 

9. Love Me Harder (featuring The Weeknd)
This one I'm still kinda on the fence about. The production is okay but I'm really not sure if The Weeknd was the person to put on this song. He doesn't really mesh too well with this pop sounding production. It wasn't awful but it just was too enjoyable in my opinion. Some will like though I suppose. 

10. Just A Little Bit Of Your Heart
This is the first of two R&B slow ballads. Great vocals over mostly pianos. This sounds like a song that I personally would like to hear performed live. It just really amazes me how her voice can go so well with such a variety of beats. Nice song here. 

11. Hands On Me (featuring A$AP Ferg)
Ariana Grande and A$AP Ferg? This is probably the most bizarre pairing I've seen all year. However this is another favorite of mine. This is solely because of the outstanding beat well produced by Darkchild. Nothing against Ferg (he did what he was supposed to do on a song like this I guess) but there a so many other rappers I would have put on this song and beat that would have sounder a hundred times better. Also, again, another single worthy track. But I hope this becomes one more than the others. 

12. My Everything
The second of the slow R&B ballads. Pretty much the same thing going on here as the last one. Soft but great vocals over mostly pianos. Although it's only a two and a half minute track, it's a great way to end the album off on a beautiful note.

13. Bang Bang (featuring Jessie J. and Nicki Minaj) [BONUS TRACK]
If you tuned in to this year's MTV VMA's then you caught a glimpse of this song as these three ladies performed it together. The sound this gives off actually sound a bit throwback. Like this song could have came out in any era. 80's, 90's doesn't matter. Nicki and Jessie were the perfect people to put on this high energy track. They mesh very well with each other. Cool collabo, cool song. 

14. Only 1 [BONUS TRACK]
I don't really understand why this is a bonus track. This would have went perfectly with the main album. Especially this production which has been solid up to this point. This is probably my favorite out of the three bonus tracks.

15. You Don't Know Me [BONUS TRACK]
On an album chock full of dope beats, this was probably my least favorite. It kinda sounds rushed in comparison to the rest of the album. But luckily it's a bonus track so it's not too much of a concern. 

Overall, this was a enjoyable listen and a good sophomore album from Ariana Grande. Whether it's R&B or pop, you can't argue that this was one of the best listens this year out of both genre's. I give this a final grade of B+. You certainly cannot deny this young ladies talent. She to me has a once in a lifetime voice. She sounds perfect in all genres dealing with singers. She definitely has potential to be the next Mariah Carey as some people are saying. At only 21 years old, she has a long career ahead of her. I personally think we have a star in the making. Without a doubt. End.





Final Grade: B+







CREDITS

Executive Producers
Ariana Grande-Butera
Scott Braun
Wendy Goldstein

Lead Artist
Ariana Grande-Butera

Production
Max Martin
Ilya Salmanzadeh
Peter Carlsson
Rami Yacoub
Carl Falk
Savan Krotecha
Giorgio Tuinfort
Ryan Tedder
Benjamin Levin
Noel Zancanella
Dwane Weir II
Peder Losenegard
Magnus Hoiberg
Andrew Wansel
Warren Felder
Ali Payami
Peter Svensson
Johan Carlsson
Rodney Jerkins
Paul Dawson
Tommy Brown
Victoria McCants
Kuk Harrell
Travis Sayles
Harmony Samuels
Maurice David Wade

Collaboration
Amethyst Kelly
Anton Zaslavski
Sean Anderson
Magnus Hoiberg
Donald Glover
Abel Tesfaye
Darold Ferguson, Jr.
Onika Maraj
Jessica Cornish

Label
Republic Records




Mic's Mixtape Of The Week

Travi$ Scott
Days Before Rodeo
Available now on Datpiff


Mic's Web Chick Of The Week

London Hill
Columbus, OH


Twitter/Instagram: @_londonbridgey












Copyright 2014. Mic Navarro's Corner.

Monday, September 1, 2014

Outkast - Aquemini THROWBACK ALBUM REVIEW




The year is 1995. The place is The Source Awards. Two young men from the country roads of Atlanta walk on stage to receive the award for best new rap group. While they didn't quite get the rousing ovation they hoped from the biased east coast crowd, it was Andre 3000 who made it clear to them and to everyone: "the south got something to say!" Those words and that moment would catapult Andre 3000 and Big Boi to immediate success while putting together a legendary career. I really don't have to go into too much detail about why Outkast are legends and why they are important to hip hop. While Scarface and the Geto Boys are credited for putting southern hip hop in general on the mainstream map, it was Outkast who was responsible for putting Atlanta on the map. 1994 is when they dropped their debut Southerplayalisticadillacmuzik. In a year where numerous classic debuts were released. But while that album and their 1996 sophomore album ATLiens were both great, it was 1998's Aquemini that to me put the stamp on Outkast being legends. Although I didn't hear this album until a few years after it released, I'm well aware of it's importance. The brilliant lyricism, production, creativity and originality spread all over this album is something to marvel at. They pushed the envelope with every released but they pushed it to greater heights here. I could go on but  I wanna get to the song by song break down so here it is:



2. Return Of The "G"
It's hard to pick a favorite track from this album but this is certainly top three for me. The dark, hard pounding and menacing beat is just amazing on all levels. Organized Noize were wizards on the production for this album. This song basically had addressed the concerns from the fans and media that their style and music had change drastically since their debut. Andre even mentions how people lashed out about him about his bizarre fashion and they called him either "gay or on drugs". It was a perfect way to start this album by showing that nothing has changed. The "G's" are still here.

3. Rosa Parks
Probably my third favorite Outkast single of all time. The jazz/blues sound mixed with those southern folk harmonies makes you feel and embrace the south. It's fun, it's catchy and it's a true southern boogie track. A classic hit.

4. Skew It On The Bar-B (featuring Raekwon)
The second single from this album was also one of the most interesting collaborations from that year. Outkast and the Wu-Tang Clan are pretty much from complete opposite worlds, but Raekwon blends well with the duo on a beat that's really out of his comfort zone. I liked how Big Boi addresses The Source for the rating their debut album got: "I gotta hit The Source/I need my other half a mic/because that Southerplayalisticadillacmuzik was a classic right?" I have to agree. Great song. 

5. Aquemini
This song defines the term psychedelic. All of the delays, echos and warped voices to make it sound dimensional. Like one massive acid trip. All of these psychedelic or "stoner" rappers you here today are trying to mimic that same sound. But here, Outkast does it to perfection.

6. Synthesizer (featuring George Clinton)
Another one of my favorite productions on this album. The strong electric funky sounds on this was o awesome that only George Clinton would have been fitting enough to be featured on such a out-of-this-world track. Super dope track, 

7. Slump (featuring Backbone and Cool Breeze)
Somewhat of a southern posse song, Backbone and Cool Breeze joins the duo to take you on a trip to the hardest neighborhoods in the south. You know...the trap. Trying to educate you on how the south isn't just all country lands and what not. The same crime and other nonsense occurs there too. Dope song. 

8. West Savannah
Big Boi is solo here and continuing the theme from the previous song, he takes you on a tour of his hood and gives you the south through his eyes. The things he seen and the goods and bads he's been through. I like this a lot. 

9. Da Art Of Storytellin' (Pt. 1) / 10. Da Art Of Storytellin' (Pt. 2)
Now it gets good. The duo flexes their amazing story telling abilities here. The story is about a childhood friend of theirs named Sasha Thumper who died of a drug overdose. Both Andre and Big Boi were involved with her but in two different ways. Andre comes off more emotional as he shared all of his happiest memories with her leading up to her death. I was impressed with how Andre seemed very calm even when reflecting on something so emotional as this. Then the next track, Part 2, the duo are at a time where they see it as the end of the world. They mention things they think would happen during it and how this could be their last song. These are all thoughts so when they rap it sounds like these words are coming straight from their head and not their mouths. Like in the movies when they show what the person is thinking. These two songs are what makes them...them. Perfection at it's finest.

11. Mamacita (featuring Masada and Witchdoctor)
This is a track that showcases both sides of a male/female relationship gone sour. I read that this track is based on an actual ex of Andre's who began dating other women after they broke up. Makes sense considering the lyrics. A lot of people today can probably relate to this with so many women claiming the lesbian title now after declaring how fed up they are with men. Cool song. 

12. SpottieOttieDopaliscious (featuring Sleepy Brown)
This is by far the weirdest song on the album....in a good way though. The two talk about a woman they approached at the club. Andre speaks on his over infatuation with her while Big Boi kinda pin points the hopelessness of a relationship with her. It's has this 70's sounding groove that's just sound so vintage. What's even more unique is there rhyming which is done like spoken word poetry. Dope track. Weird...but dope.

13. Y'all Scared (featuring T-Mo, Big Gipp and Khujo)
Here's another southern posse cut with more Dungeon Family members. Although this is my least favorite out of the two on this album, it's still not a bad song. Lot of dope lyrics and flows being thrown down here by everyone involved. Although it seems very relaxed considering the title and who's featured, it's a pretty good track for what it is.

15. Liberation (featuring Cee-Lo, Erykah Badu and Big Rube)
At eight minutes long, it's easy to see why this song is a major stand out. The entire song just sounds like an huge influx of genres. From R&B, to jazz, to blues, to gospel. Pretty much everything other than rap as there are no rap vocals at all on here. All the lyrics are either sung or done spoken word style. What I get from it is they are all speaking of artistic freedoms and not caring about the opinions of the public and/or media. It seems like they kinda compare it to slavery as well. There's so much soul coming out of this song that's it's amazing. This was certainly one of the best collaborations in 1998. Beautiful record. 

16. Chonkyfire
Filled with guitar riffs and a bunch of other "zoney" sounds, this was certainly a good way to end the album on a light note. Another amazing beat well done by the duo and another good showcasing of their lyricism. I especially liked the ending snippet from the 1995 Source Awards that I spoke about in the introductory paragraph. Dope track.

In closing, I really don't need to tell you why Aquemini is a classic album. It is one of the most important albums in hip hop's history for what it has done for southern hip hop. It gets a grade of an A+. With this album, Andre 3000 and Big Boi showed the world that Atlanta and the rest of the south DID have something to say. They are more than just country bumpkins on farm land eating maple syrup or however the public perceives them. They have rough neighborhoods too. They party and hit the clubs too. They do everything all other rappers nationwide do. Every southern rapper today, specifically the ones from Atlanta owe Outkast a great debt of gratitude. They told the world it's about to be our time and over a decade later, Atlanta is the number one city when it comes to southern MC's. Mission accomplished. End.




Final Grade: A+







CREDITS

Executive Producer
Kenneth Edmonds

Lead Artist
Andre Benjamin
Antwan Patton

Production
David Sheats
Patrick Brown
Ray Murray
Rico Wade
Andre Benjamin
Antwan Patton

Collaboration
Corey Woods
George Clinton
Patrick Brown
Erin Johnson
Robert Barnett
Cameron Gipp
William Knighton, Jr.
Thomas Calloway
Erica Wright
Ruben Bailey

Label
LaFace/RCA Records




Mic's Mixtape Of The Week

Travi$ Scott
Days Before Rodeo
Available now on Datpiff


Mic's Web Chick Of The Week

London Hill
Columbus, OH


Twitter/Instagram: @_londonbridgey












Copyright 2014. Mic Navarro's Corner.

Wednesday, August 27, 2014

Wiz Khalifa - Blacc Hollywood ALBUM REVIEW




Hip hop stoners have been around for as long as we can remember. It's nothing new to us and this new wave of "stonerific" music shouldn't be a surprise. But you gotta believe one of the people, or the main person responsible for reviving this movement is Wiz Khalifa. Since 2010, Wiz has been a favorite for many stoners. His 2010 mixtape Kush & Orange Juice to some is a classic. It pretty much propelled him to all the way to where is now. But to me he hasn't quite matched the quality of music from that mixtape since. Did he this time? This is his fifth album Blacc Hollywood. Never hearing 2006's Show And Prove or 2009's Deal Or No Deal, I can only go off the last two releases. 2011's Rolling Papers was a very poor and lazy effort. Especially for a major label debut.To this day no album has literally put me to sleep quicker than that album. Lazy production, lazy flow. Just an overall lifeless album. Then 2012's O.N.I.F.C. while it had way more energy, it lacked any substance or decent content. The same topic on various trap beats or trap inspired beats. I had really hoped this time around Wiz would make a serious change to how he put together his albums. After listening to Blacc Hollywood, I'm kinda feeling the same way I felt about the last album. The album is just average...if that. He's done nothing to change or show any kind of progress. Same weed related topics, same basic flow with plenty of cringe worthy lines, same amount of trap beat abuse. I would say the only difference here is probably better singles and better features that makes the album a bit more listenable. It's a shame he's made no type of progress because he can certainly become a much better rapper with better content, flow, lyrics and beat selection. Anyway, I'll now break down the album song by song:

1. Hope (featuring Ty Dolla $ign)
...and here we go. Starting right off the back with trap beats. The track starts with what sounds like some spoken word poetry? It sounds like praise being given to Wiz and telling him to continue his grind or whatever. But the song is as generic as it gets. Generic trap beat and generic content. I guess it sounds good in the car (as many of these songs do) but other than that, nah. Ty Dolla $ign drops a quick R&B verse which really does nothing for it either. It's really a "meh" song overall.

2. We Dem Boyz
Believe it or not, I actually like this. This may be his best single since "Black And Yellow". Yeah the flow and lyrics are piss poor but it's incredibly catchy to the point you can't help but like it. One of the best songs on the album honestly.

3. Promises
If there's one thing I hate it's when not so good rappers try and sing. This song was a huge no no. Wiz sings majority of this song which is a love dedication to his wifey Amber Rose. If she heard this then she might be ready to put his ass on the couch. His singing is almost two times more horrendous than his rapping. Sometimes I wanna blame the weed for songs like this that he makes but you can't blame it every time. This was just horrible. Horrible.

4. KK (featuring Juicy J and Project Pat)
Here is the second trap beat of the album and this one is one of the better ones. Thanks really to Juicy J and Project Pat who gave it that vintage old school Three 6 Mafia feel. Thank goodness for them because Wiz is on this just unleashing all kinds of horrific lyrics: "Cali weed blowing like a rasta mime/kush seeds straight from Afghani-stein". Did this fool really mispronounce that word just so it could rhyme? This is how you know what rappers have limited vocabulary. Anyway, it's a tolerable song to an extent. (FYI: "KK" stands for Khalifa Kush. To no surprise.)

5. House In The Hills (featuring Curren$y)
On an album filled with not much decent content or subject matter, this is probably the only song that has a bit of it. He's talking about his come up, his dislike on how the media portrays him as a pot head when he's more than that and so on. He also goes on talking about his new responsibilities as a husband, as a father and as a young CEO. It seems he's trying to show a bit of maturity here in understanding where he is now. This is a good song just on the topic alone. If only the rest of the album could have shown the same maturity...

6. Ass Drop
Ladies...grab your favorite pair of twerking shorts. We got another one. I totally would not be surprised at all if this is the next single. Twerk songs do nothing for me and I can't get with them. But of course the females will love this. In the club, at parties or even in their house in front of their web cam. So yeah overall, this doesn't do anything for me.

7. Raw
This now the third trap beat. This song is a perfect example of a song saved by the beat. Again, it sounds good in the car but Wiz's pathetic lyrics and atrocious flow makes it hard to listen to this more than once. I mean I don't know what he was thinking with that flow. Epic fail.

8. Stayin' Out All Night
The mood and vibe of this song actually took me back to Rolling Papers. That's not a good thing because I was not a fan of that album. All he does here talk about partying all night and just celebrating life or whatever. It's an OK song at best. 

9. The Sleaze
This is one of the more better beats on the album. Well produced by Arthur McArthur. I actually didn't even mind his flow or lyrics on this either. It's a pretty good songs. Again, he isn't talking about much but compared to other songs on this album, this one is tolerable.

10. So High (featuring Ghost Loft)
This song was hilariously bad. Every bar he spits, he ends it with "uh huh". I feel like he's mimicking Kendrick Lamar's flow and if that's the case then it's the worst imitation ever. Also of course, no Wiz Khalifa album is complete without a track about being high which this is. The hook for this is actually not bad but his flow on here was pitifully bad. 

11. Still Down (featuring Chevy Woods and Ty Dolla $ign)
I swear damn every feature on this album murdered Wiz on his own track. I loved Chevy Woods verse on here. It was dope. Even Ty Dolla $ign was cool on the hook. For that alone this song is pretty good. I could probably play this in rotation a few times. Cool song.

12. No Gain
Trap beat number four. But this one is much more slower and R&B sounding. I honestly don't know how I feel about this one. It sounds like something from O.N.I.F.C. In fact, he's somewhat talking about the same stuff as the single "Work Hard Play Hard" from that album. But yeah...really don't know what to make of this yet.

13. True Colors (featuring Nicki Minaj)
This has one of the worst hooks on the whole album. I really, really cannot stand his so called singing. Then once again another feature, this time Nicki Minaj, takes him down on his own track. Truth be told this song has more of a Nicki vibe than it does Wiz. It's average overall I suppose. 

14. We Dem Boyz (remix) (featuring Rick Ross, Schoolboy Q and Nas)
This is the first of two bonus tracks. It's probably one of the worst remixes of 2014. The original is a hundred times better than this. The beat is different, the hook is different and although the features were all better than Wiz, none were eye popping like that. No even my favorite rapper Nas who sounds so uncomfortable even being on this. Yeah...I don't like it.

15. You And Your Friends (featuring Snoop Dogg and Ty Dolla $ign)
The second of the two bonus tracks. Surprisingly this is the only DJ Mustard produced track on the whole album. I expected more of his beats seeing as how he's been everywhere this year. Anyway, the beat makes this an okay listen. It sounds very much like a single if it isn't one already. It's cool overall.

Well in conclusion, this album overall just doesn't do it for me. Like I mentioned before, same old stuff. As far as flow, lyrics, content, beats. No sign of progression at all. I give this a final grade of a C-. Reflecting back to that song "House In The Hills", Wiz Khalifa really needs to show more of that same maturity he showed on that track. I understand that this is the persona he has put out there but also he needs to realize that he does have responsibilities now. He is a husband, he is a father, he is a CEO. At some point you gotta show a bit of growth in your music. You can still be a stoner, but now, be more wise about it in your music. Hopefully he comes around on the next album. Hopefully. End.


Final Grade: C-








CREDITS

Executive Producers
Cameron Thomaz

Lead Artist
Cameron Thomaz

Production
Ned Cameron
Noel Fischer
James Scheffer
Edward Murray
Lukasz Gottwald
Jeremy McArthur
Mikkel Ericksen
Tor Erick Hermansen
Daniel Johnson
Rasool Diaz
Luca Polizzi
Brian Soko
Dijon McFarlane
Anthony Tucker
Sonny Uwaekzuoke
Julian Gramma
Nathaniel Caserta

Collaboration
Tyrone Griffin
Jordan Houston
Patrick Houston
Shante Franklin
Danny Choi
Kevin Woods
Onika Maraj
William Roberts
Quincy Hanley
Nasir Jones
Jay Jenkins
Chad Butler

Label
Rostrum/Atlantic Records


Mic's Mixtape Of The Week

Travi$ Scott
Days Before Rodeo
Available now on Datpiff


Mic's Web Chick Of The Week

London Hill
Columbus, OH


Twitter/Instagram: @_londonbridgey












Copyright 2014. Mic Navarro's Corner.

Tuesday, August 26, 2014

Announcements: New Changes

What's up y'all. Just wanted to give y'all a heads up on some new changes coming to my review site. Nothing major. I'll probably have to do this again in the future but right now we just gonna leave it at this. So, a couple things are about to change as far as how my reviews will be done, new features I'll add and new ways to hit me up and share my reviews. So here they are:


1. NEW REVIEW FORMAT- Since I started this thing last year, I always wrote these reviews as just one big paragraph. Well now I'ma try and do something different. I will now start doing song by song break downs. I'm talking every single song on the album. I will write a little "mini-graph" for each song giving my thoughts on it. I feel like this is much easier for people to read and take all in. Not to mention I've had a few people come to me about not mentioning certain songs from some of their favorite albums. So this helps a lot. Let me know what you think.


2. NEW FEATURES- I've thought about adding some fun new things to the page. Already I've added the mixtape of the week and web chick of the week section which is getting good responses. If you're an independent artists and have a mixtape out that you think I should check out and consider for mixtape of the week, you can hit me up via e-mail (see below). Also, ladies, if you want me to consider you for a web chick of the week spot, hit me up via e-mail as well (you'll need two pics, your city and state, and your Twitter or Instagram). Also, I will be adding a poll section asking you all how would you grade the album. I know you could just say it in the comments but the poll thing seems much easier than typing it out. That's pretty much it for right now.

3. NEW WAYS TO HIT ME UP: I've never really been a Instagram person. Never got into it. But I've realized that it would be best to promote and share on those kind of social sites. So in the next week or two, I will have an Instagram where you all can hit me up and follow my blog updates there. My IG name will be posted on every review so that's where you all will know when I have it up and running.

Again, nothing too serious. If you have any suggestions or anything like that, e-mail me or hit me up on Facebook until my IG is up. Thanks again y'all for showing me love and holding me down on this album review thing for a year. It's much appreciated.


- Mic Navarro










Copyright 2014. Mic Navarro's Corner.
micnavarro.blogspot.com
mgiles887@yahoo.com